Onward is a 2020 American computer-animated urban fantasy adventure film produced by Pixar Animation Studios and distributed by Walt Disney Studios Motion Pictures. The film was directed by Dan Scanlon, produced by Kori Rae, and written by Scanlon, Jason Headley, and Keith Bunin.[a] The film stars the voices of Tom Holland, Chris Pratt, Julia Louis-Dreyfus, and Octavia Spencer. Set in a suburban fantasy world for the modern day, the film follows two elf brothers named Ian and Barley Lightfoot (Holland and Pratt) who set out on a quest to find an artifact that will temporarily bring back their deceased father named Wilden (Bornheimer) for twenty-four hours before the time is up. Along the way, their journey is filled with cryptic maps, impossible obstacles and unimaginable discoveries.
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Now a freelancer, Rennie appeared in six additional features between 1956 and 1960, three of which were produced or released by Fox. Rennie appeared as adventurer Lord John Roxton in director Irwin Allen's 1960 adaptation of Sir Arthur Conan Doyle's The Lost World, a tale of a jungle expedition that finds prehistoric monsters in South America; the film also starred Claude Rains, David Hedison, Fernando Lamas, Jill St. John and Richard Haydn. No longer bound by the no-television clause in his studio contract, he began his prolific 15-year association with the medium.
Twenty years after a large and ominous meteor crash landed on the family lawn of the Edison family, the mansion is now home to bizarre and murderous experiments. Dave Miller suspects that his cheerleader girlfriend has been kidnapped by Dr. Fred and sets out with two of his chosen friends to find her. After picking two friends to accompany Dave (from six choices), you can switch between your three playable characters at any time in order to use each person's skills to solve puzzles in a number of different ways. Some are more mechanically inclined, while others are strong, more artistic, and so on. The simple premise never involves any more than getting into the house, finding Sandy, and trying to thwart the plans of the evil scientist and his equally deranged family. As one of the earliest LucasArts adventures, Maniac Mansion includes some deaths and dead ends, but its open-ended gameplay and quirky, B-grade horror film parody humour ensure it retains much of its original entertainment value today, quite apart from its significant historical contributions to the genre.
Robin Hood is one of those legendary characters who has made a lasting impression, forever imprinted in our collective imagination. In the second (and sadly final) adventure in the short-lived Conquests series from the pen of Christy Marx, one of Sierra's finest designers (if often forgotten among more recognizable names), Conquests of the Longbow put players directly into Robin's leather boots in 1991 to embark on a classic cloak-and-dagger adventure. It's a powerful tale, backed by copious details about Druidic folklore and English history, in a world populated by iconic characters like Little John and Will Scarlett, the Sheriff of Nottingham and Maid Marian, here in the imaginative role of a Druidic priestess. The gameplay also proved to be incredibly fun, full of innovative puzzles and challenging riddles flawlessly integrated with the storyline.
The last adventure ever to be produced by Sierra, and perhaps one of the most controversial both for its themes and unique style of play, Jane Jensen's Gabriel Knight III: Blood of the Sacred, Blood of the Damned is the most ambitious installment of the trilogy. Not only did it raise some highly contentious topics years before a certain Dan Brown, such as the possibility of the Holy Grail really being an allegory for the womb of Mary Magdalene, it also sought to reinvent the genre by putting players in direct control of the camera in a fully 3D environment. This feature allowed for an unprecedented amount of free exploration, though the success of the actual implementation is still a question of debate among adventure gamers.
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